When TV shows and movies are life…
Written and directed by Brandon Cronenberg (yes, that last name should sound familiar), INFINITY POOL is a sci-fi horror film that I really enjoyed but would not recommend to 90% of the people reading this review. It's weird in all of the ways I love, cerebral, a movie you have never seen before, and one… Continue reading Sundance Review: Infinity Pool
RUN RABBIT RUN, directed by Daina Reid, is an Australian horror-thriller that like any decent genre film, explores themes of guilt, grief, and generational trauma. Elisabeth Moss was originally attached to the film, but had to pull out due to scheduling issues, resulting in the role being recast with Sarah Snook. But despite a phenomenal… Continue reading Sundance Review: Run Rabbit Run
I first saw THE SON at the London Film Festival a few months ago and haven't been able to shake several scenes from the movie ever since. Written and directed by Florian Zeller, who won a Best Adapted Screenplay Oscar for his incredible film THE FATHER, the film is based off of Zeller's play. It… Continue reading Interview: Florian Zeller for THE SON
Guillermo del Toro said it best when he said, "Animation is a medium, not a genre." This statement perfectly explains how audiences should view films with animation, as another art form and medium for telling a story; animated stories should not be minimized by being considered a kid's genre. I see no better representation of… Continue reading Movie Review/Interview: Guillermo Del Toro’s Pinocchio
Despite Roger Deakins' gorgeous cinematography and another phenomenal performance by Olivia Colman (who can literally do no wrong), EMPIRE OF LIGHT cannot overcome writer/director Sam Mendes' muddling, disjointed screenplay. It almost seems like the script was manufactured by one of those computer algorithms that takes elements of films that one would think to be Academy… Continue reading London Film Festival: Empire of Light
Let's be real, I love a Jennifer Lawrence movie anyway I can get it. But I especially love that in Apple TV+'s CAUSEWAY Lawrence has gotten back to her roots, taking on a small-scale character study that is reminiscent of the kind of story that first put her on the map with WINTER'S BONE. From… Continue reading London Film Festival: Causeway
It's hard to believe AFTERSUN is writer/director Charlotte Wells's first feature because it is one of the most powerful films I saw at the London Film Festival this year, and one of my favorites. This is a film that left me speechless and teary-eyed as the end credits rolled, not because it is overtly sad… Continue reading London Film Festival: Aftersun
I have loved the MATILDA story since I was little and idolized the titular heroine as the kind of girl I wanted to be—brave, whip-smart, and rebellious. What started off as a love of Roald Dahl's story about a girl with telekinetic powers turned into an every day viewing obsession when the original film version… Continue reading London Film Festival Review: Roald Dahl’s Matilda the Musical
AM I OK? That is the question I asked myself as I took stock of my entire life after watching the incredible film, directed by Tig Notaro and Stephanie Allynne. The answer is no, I am not okay because this film spoke to me in more ways than I thought possible. AM I OK? is… Continue reading Sundance Movie Review: Am I OK?
AFTER YANG, written and directed by Koganada, is a futuristic sci-fi opus, with gorgeous cinematography and a reflective message on being present, particularly in parenthood. It also takes a page out of films like Spielberg's A.I. ARTIFICIAL INTELLIGENCE that ponder the humanity and morality surrounding AI, or "technosapiens", issues that are only going to get… Continue reading Sundance Movie Review: After Yang